The Jomon period dates back to about 14,000 BC. When digging into the soil, artifacts from thousands of years ago suddenly emerge in front of you. In that moment, the relationship with the object loses its temporal axis and becomes solely a matter of spatial information.

Handling objects of similar size to contemporary, such as a teacup or earrings from the ground, reveals minimal changes in human corporeality; it becomes evident that the body's essence has remained largely unchanged over time.

Elements that change and those that remain constant, all contribute to shaping the 'now,' and in that moment, it becomes the past.

Over a period of two years working at an archaeological excavation site, the artist translated her experiential connection with Jomon into drawings and pottery pieces.

縄文時代は紀元前14,000年頃まで遡る。土を掘り起こすと何千年も前のものが突如自分の前に現れる。その瞬間、対象物との関係は時間軸を失い位置情報のみとなる。

現代の物と同サイズの湯飲みや耳飾りを手にすると、人間の身体性の変化はあまりなく昔も今もほぼ同じであることが分かる。

変わるもの、変わらないもの、あらゆる要素が"今"を築き上げ、その瞬間にはそれが過去になる。

作家は遺跡発掘現場での２年間の職務経験をもとに、自身が体感した縄文文化との関係性をドローイング、土器の作品とする。